Lisa Burge

My works are non-representational monoprints on paper. In the process of monoprinting I am working with oil based inks. The painting is done on plexiglass, building up several layers of color and sometimes inclusions of other papers are actually incorporated into the piece for added texture and character. A dampened piece of paper is then laid over the plexiplate and run through a press thus transferring the painting from the plate to paper. All works are original as only one print can be pulled from the plate, removing the ink, hence the “mono” print. On some occasions a “ghost” image, or faint residue of paint may remain on the plate and can be printed, or worked back into, but basically only one intentionally executed print will be made.

In my arwork, I focus on how to dynamically defins space in terms of flat surface. The use of color and texture form the underlying basis of each composition. As a process artist, I allow this relationship to evoke image and shape. Depth is created through the interaction between density and transparency of color. Shapes appear to float on the surface or mysteriously recede into the paper or canvas when the layering of color is juxtaposed against color.

While I consider my artwork to be non-representational, there is no doubt that imagery suggests itself into my work. No matter if I’m at home in the Southwest or travelling abroad in Europe, South America or Asia, the landscape and architecture in particular always inform my personal aesthetic. My intent is the pure exploration of color and line. However, I find it provocative that my work has an emotional impact on the viewer. This confirms my knowledge that humans have a kinesthetic response to art even if the work is non-objective.