Jay McDougall

My sculpture is produced in the reductive method where material is removed to reveal the form. I strive to cut away all that is ephemeral to yield only that which is essential. I’ve chosen wood as my carving material for its eternal warmth and life. These qualities serve to enhance the fluidity in many of my pieces while reinforcing the primal essence of others. I work alone and begin my process by selecting distinctive logs from hardwood trees that have already fallen or been marked for removal near my studio in rural Minnesota. All of my pieces are free-hand carved from a single block of material. This distinguishes me from most other wood artists in that it involves no glue-ups or joinery. All of my work is carved and does not involve any lathe work, yet another feature that solidly positions my pieces in a very select group. I bring a contrasting element to my wall pieces via the steel backs on which they are mounted, and to the vessels and trays with dye on their undersides. My pieces have the affect of connecting with viewers at a visceral level; they touch something deep inside. I hope these forms become comforting elements in people’s homes and lives, not merely items to be put on display. These objects surpass transient trends and styles; they are timeless in their classic contemporary beauty and bring with them a calming presence that fits seamlessly into wide-ranging architectural styles.